Some objects seem particularly suitable to be used for preparing loudspeakers. The lightness and characteristic sound of ping pong balls might be a reason, why they have been favourable objects for this. Comparing several of these set-ups reveals that—fortunately!—using a … read more
A documentation on Eliane Radigue. She mentions how she places loudspeakers in the concert hall at 9’55”:
Guai ai gelidi mostri (1983) by Luigi Nono, with live electronics on 10 loudspeakers in the concert hall (of which you won’t hear anything on youtube of course…). A piece to hear live in the concert hall!
Streetwalker (1980) by Ellen Fullman, amplifying the skirt with contact microphones:
Speaker Swinging (1982) by Gordon Monahan: