Skip to content

Between Air and Electricity

Microphones and Loudspeakers as Musical Instruments

  • Overview
  • Chapter 1
  • Chapter 2
  • Chapter 3
  • Chapter 4
  • Chapter 5
  • Other Examples

Category: timeline

Posted on March 24, 2017March 3, 2019

Klangflug by Lara Stanic

In her performance Klangflug (2006 – 2013, several versions) Lara Stanic looks for ways to transmit the airiness and volatility of sound itself to the heavy loudspeakers, needed to produce sounds. By simulating sounds of an airplane taking off on … read more

Posted on March 17, 2017March 3, 2019

A sympathetic piano by Gökhan Deneç

In Chapter Three of my book I discussed several early attempts of creating electric piano’s during the end of the nineteenth century. Often these efforts made use of electromagnets and feedback to keep the piano strings in vibration. The Neo … read more

Posted on February 6, 2017February 7, 2017

p. 115 Rainforest by David Tudor

Several performances of Rainforest (1968-1973) by David Tudor, all using different objects attached to tactile transducers:

 … read more

Posted on February 6, 2017May 2, 2017

p. 111 Shozyg by Hugh Davies

An interview with Hugh Davies and some music played on the Shozyg (also using some of his egg slicer instruments):

Listen to more Shozyg music:

… read more

Between Air and Electricity

  • Table of Contents
  • Cathy van Eck
  • introduction

key words

  • (acoustic) feedback
  • (hemi)spherical loudspeakers
  • contact microphones
  • everyday objects
  • flute
  • flying loudspeakers
  • movement
  • percussion
  • phonograph
  • piano
  • pick-ups
  • prepared loudspeakers
  • prepared microphones
  • sound reinforcement systems
  • space
  • tactile transducers
  • ten or more loudspeakers
  • trumpet
  • tuning fork
  • violin family
  • voice
  • walking
  • water
  • wearable

time line

  • 1950s and earlier
  • 1960s
  • 1970s
  • 1980s
  • 1990s
  • 2000s
  • 2010s
  • 2020s

Recent Posts

  • Megaphone Music I

  • A hydrophone synthesiser by Tomoko Sauvage

  • in steps by Ricardo Eizirik

  • Touch Amplifiers by Özgür Erkök Moroder and Steffi Weismann

  • Kkwaenggwari and Bambusoides by Ji Youn Kang

  • acoustic resonators by Jeff Snyder

  • Ohr-Weide — Salix aurita by île flottante | Andrea Gsell & Nica Giuliani and Lilian Beidler

  • Drohnenmusik by Genoël von Lilienstern

  • Echo Moiré by Matteo Marangoni

  • Kropka na Ogonie and Soroka Fruwa by Aurélie Nyirabikali Lierman

  • 112 loud-speaking telephone receivers and other early sound reinforcement systems by Ralf Ehlert

  • Transduction and Acoustic Radiator by Kristen Roos

  • Loudspeakeroperas by Huba de Graaff

  • Points of Contact by Erfan Abdi

  • Vestiges of Discomposition and other works by Simon Whetham

  • The Springboard by Eric Leonardson

  • Touche Nature by I-lly Cheng

  • Small Movements by Adam Basanta

  • Speaker Dress by Pauchi Sasaki

  • Apart by Oscar Bettison

  • Sound in a Jar by Ronald Boersen

  • Transducer by Robin Fox and Eugene Ughetti

  • Speaker Feedback Instruments by Lesley Flanigan

  • Fifty years of loudspeakers and ping pong balls

  • Hemispherical loudspeakers for laptop orchestras

  • Doppelbelichtung by Carola Bauckholt

  • Tonewood by Hugo Morales Murguía

  • Klangflug by Lara Stanic

  • A sympathetic piano by Gökhan Deneç

  • An active loudspeaker by Hermann Scherchen

Accompanying website for the book Between Air and Electricity by Cathy van Eck
Proudly powered by WordPress