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Between Air and Electricity

Microphones and Loudspeakers as Musical Instruments

  • Overview
  • Chapter 1
  • Chapter 2
  • Chapter 3
  • Chapter 4
  • Chapter 5
  • Other Examples

Tag: tuning fork

Posted on May 16, 2019May 16, 2019

in steps by Ricardo Eizirik

in steps (2018-2019) for five performers and one controller (left) by Ricardo Eizirik. Video still © Ricardo Eizirik

in steps (2018-2019) is a piece for for 5 amplified voices and 1 performer by Ricardo Eizirik. Although six people are … read more

Posted on June 19, 2017March 3, 2019

Apart by Oscar Bettison

As I describe in chapter three of Between Air and Electricity tuning forks are in some ways a kind of predecessor of microphones and loudspeakers. They can also be seen as a predated sine tone generator. Tuning forks were extremely … read more

Posted on January 31, 2017November 23, 2017

p. 66 frequencies (a / friction) by Nicolas Bernier

frequencies (a / friction) (2015) by  Nicolas Bernier

… read more

Posted on January 31, 2017May 16, 2019

p. 65 Apparat by Hermann von Helmholtz

David Pantalony plays on the 19th century Apparat zur künstlichen Zusammensetzung der Vocalklänge invented by Hermann von Helmholtz and built by Rudolph Koenig. This device was used to do research on the synthesis of vocal sounds.

… read more

Between Air and Electricity

  • Table of Contents
  • Cathy van Eck
  • introduction

key words

  • (acoustic) feedback
  • (hemi)spherical loudspeakers
  • contact microphones
  • everyday objects
  • flute
  • flying loudspeakers
  • movement
  • percussion
  • phonograph
  • piano
  • pick-ups
  • prepared loudspeakers
  • prepared microphones
  • sound reinforcement systems
  • space
  • tactile transducers
  • ten or more loudspeakers
  • trumpet
  • tuning fork
  • violin family
  • voice
  • walking
  • water
  • wearable

time line

  • 1950s and earlier
  • 1960s
  • 1970s
  • 1980s
  • 1990s
  • 2000s
  • 2010s
  • 2020s

Recent Posts

  • Megaphone Music I

  • A hydrophone synthesiser by Tomoko Sauvage

  • in steps by Ricardo Eizirik

  • Touch Amplifiers by Özgür Erkök Moroder and Steffi Weismann

  • Kkwaenggwari and Bambusoides by Ji Youn Kang

  • acoustic resonators by Jeff Snyder

  • Ohr-Weide — Salix aurita by île flottante | Andrea Gsell & Nica Giuliani and Lilian Beidler

  • Drohnenmusik by Genoël von Lilienstern

  • Echo Moiré by Matteo Marangoni

  • Kropka na Ogonie and Soroka Fruwa by Aurélie Nyirabikali Lierman

  • 112 loud-speaking telephone receivers and other early sound reinforcement systems by Ralf Ehlert

  • Transduction and Acoustic Radiator by Kristen Roos

  • Loudspeakeroperas by Huba de Graaff

  • Points of Contact by Erfan Abdi

  • Vestiges of Discomposition and other works by Simon Whetham

  • The Springboard by Eric Leonardson

  • Touche Nature by I-lly Cheng

  • Small Movements by Adam Basanta

  • Speaker Dress by Pauchi Sasaki

  • Apart by Oscar Bettison

  • Sound in a Jar by Ronald Boersen

  • Transducer by Robin Fox and Eugene Ughetti

  • Speaker Feedback Instruments by Lesley Flanigan

  • Fifty years of loudspeakers and ping pong balls

  • Hemispherical loudspeakers for laptop orchestras

  • Doppelbelichtung by Carola Bauckholt

  • Tonewood by Hugo Morales Murguía

  • Klangflug by Lara Stanic

  • A sympathetic piano by Gökhan Deneç

  • An active loudspeaker by Hermann Scherchen

Accompanying website for the book Between Air and Electricity by Cathy van Eck
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