Berliner Lautsprecher Orchester (since 2013) developed by Wolfgang Heiniger. This orchestra has not a symmetrical set-up, in contrary to the Acousmonium.
A documentation on Eliane Radigue. She mentions how she places loudspeakers in the concert hall at 9’55”:
Audible EcoSystemics n. 3a (Background Noise Study) (2003) by Agostina Di Scipio:
Philips Pavilion (1958) by Le Corbusier, Iannis Xenakis and Edgar Varèse:
Stircrazer IV (2015) by Sabrina Schroeder, using tactile transducers on bass drums:
A short interview with Lynn Pook about her work Aptium (unfortunately just in French!):
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